![obduction hints other side of river obduction hints other side of river](https://assets.gamepur.com/wp-content/uploads/2021/09/07093148/Book-of-knowledge-location-River-Berbha-Valhalla-850x478.jpg)
This book was set in Janson, a typeface named for the Dutchman Anton Janson, but is actually the work of Nicholas Kis (1650-1702). (Recommended: S teven Johnson’s recent profile of Stanford’s d.school, which goes a level deeper than the typical fawning appreciation.) Interacting with design often feels like hearing a Romance language – I recognize the essential building blocks, but it feels entirely ungraspable and beyond me.Įven today, reading the brief blurb on the typeface chosen for a book (normally located on the back page) mostly alludes me.Īn example from a recent read: Working, by Robert Caro: Today, the closest I get to engagement with design is thumbing through the design section of a bookstore, a long linger in the modern art section of a museum, or through the discipline of design thinking, an adaptation to the designer’s mentality retrofitted to the worlds of business, policy, and other seemingly unrelated domains, as popularized by Stanford’s d.school and the consulting firm IDEO. I’ve long admired the world of design, almost entirely from a distance.
Obduction hints other side of river series#
Playing around in Adobe Indesign opened my eyes to a world of choices that I had previously considered arbitrary or unconscious-margins, placements, breaks, typeface-a seemingly limitless series of choices striving towards greater readability an aesthetic enjoyment on the part of the reader (discounting self-satisfaction by the designer). Reading Walter Isaacson’s biography of Jobs unlocked my understanding of the intention and importance behind these product’s designs.Ĭollege was my first attempt at dabbling in hands-on design, where I volunteered to produce an academic journal that a couple friends and I had founded. Like many, I came into my design consciousness through the work of Jony Ive and Steve Jobs, initially as an unwitting user of early Macintosh products through multiple iPod generations, the iPhone, the Apple Store and the greater Apple aesthetic revolution. I always considered the initial design to be a 1.0 version of an evolving project, but the words themselves (and frankly, not blogging) took precedence over a focus on intentional design.
![obduction hints other side of river obduction hints other side of river](https://i.ytimg.com/vi/jwly44_hbcs/maxresdefault.jpg)
The initial aesthetic and design was somewhat arbitrarily chosen – I knew I wanted something clean, minimalist, and designed for longform reading, but I can’t say that I gave much more thought to it. The blog design has remained unchanged since I relaunched it in early 2018. I’ve been meaning to redesign this blog for several months.